Light and Shadow

The play of light enacted in the space of Iglesias’s work strongly evokes the condition of being in a cinema, in the presence of a screen. As we move through the artist’s luminous architectural space, then, we are offered an experience that is fundamentally filmic

Giuliana Bruno,

The Thickness of Surface: Projections on a Screen-Wall

The lonosphere (A Place of Silent Storms), 2017. Detail.

The lonosphere (A Place of Silent Storms), 2017.

The lonosphere (A Place of Silent Storms), 2017.

Passatge de coure, 2004.

'Passatge de coure', 2004. Drawing.

Passatge de coure, 2004.

Alabaster Cupolas, 2000.

Alabaster Cupolas, 2000.

Alabaster Room, 1993. Detail.

Alabaster Room, 1993. Casa França-Brasil.

Alabaster Room, 1993. MNCARS.

Tilted Suspended Ceiling, 1997. Palacio Velazquez (1998).

Tilted Suspended Ceiling, 1997. Fundaçao Serralves.

Tilted Suspended Ceiling, 1997. Fundaçao Serralves (1997).

Tilted Suspended Ceiling, 1997. Nime (2000).

Tilted Suspended Ceiling, 1997. Centro Botín (2018).

Tilted Suspended Ceiling, 1997. Whitechapel Gallery (2003).

Tilted Suspended Ceiling, 1997. Centro Botín (2018).

Tilted Suspended Ceiling, 1997. MNCARS (2013).

Tilted Suspended Ceiling, 1997. MNCARS (2013).

Tilted Suspended Ceiling, 1997. MNCARS (2013). Detail.

Tilted Suspended Ceiling, 1997. MNCARS (2013).

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