Tres Aguas

The regular pulse of Tres Aguas evokes the mind-body symbiosis of every living organism as well as the reciprocity that needs to exist between nature and society, individual and community. The Toledo works awaken a city’s inhabitants to the natural forces circulating under our feet and sustaining our existence

Marina Warner, 2015

The springs beneath, the flow above, the light within

Tres Aguas, 2014. Drawing.

Tres Aguas. A project for Toledo, 2014. 14:25

Town Hall Square, Toledo, Spain

The town hall square is one of Toledo’s main public spaces, a meeting place for citizens and a destination for visitors the city. The square is flanked by the huge Gothic cathedral built between the thirteenth and fifteenth centuries on the site of the Moorish Great Mosque, the Archbishops palace and the Ayuntamiento, the Town Hall.

In the lower part of the square in front of the town hall, Iglesias made a dramatic cut into the surface of the square. It seems as if an ancient aquifer or subterranean channel has been uncovered beneath the stones. Water courses over the cast metal forms of a huge bas-relief, some twenty-five meters in length, and then gradually ebbs away. When full and still, the basin becomes a mirror which reflects and destabilises the normally imposing architecture.

The cycle of water runs for around 30 minutes.

Tres Aguas Town Hall, 2014.

Tres Aguas Town Hall, 2014. Detail.

Tres Aguas Town Hall, 2014. Detail.

The Water Tower, Toledo, Spain

Constructed in the Mudejar style, it is located on the edge of an extensive group of buildings, the Real Fábrica de Armas de Toledo (Royal Arms Factory) which was once one of the most important weapons factories in Spain, and is now the campus for the University of Castilla-La Mancha in Toledo. The tower was built to store water for us in tempering metalwork for swords and armour. It stood derelict for many years until it was restored for Tres Aguas, and now houses a vertiginous sculptural work offering a sequence of dramatic viewing experiences.

Visitors ascend an iron staircase on the exterior of the building to the roof from where they can enjoy exceptional views of the city and the river. They then descend a second staircase, drawn towards a large dark pool inside. Water flows over the sculpted forms, sometimes turbulently and sometimes more calmly, and then gradually drains away.

The cycle of movement inside the Torre del Agua lasts for 17 minutes.

Tres Aguas, Water Tower, 2014.

Tres Aguas, Water Tower, 2014.

Convento de Santa Clara, Toledo, Spain

The Convent of Saint Clara is one of the historic convents in one of the quieter parts of the city, far removed from the noise and bustle of visitors. The convent was until recently home to a closed order, the Clarissimas (Holy Clares). The nuns agreed that a small part of the convent, accessible through its own door from the street, could become a place for Iglesias’s work. Beyond a configuration of screens which enclose the space and accentuate the feeling of interiority, a rectangular basin has been cut into the floor; a deep pool with glistening metal surfaces is revealed.

The movement of the water is calm and it draws the viewer deep inside. If the town hall square offers a place for more animated exchange, Iglesias’s work within the convent is a site for private reflection, a conversation with oneself.

The cycle of water in the convent runs for around 15 minutes.

Tres Aguas, Convento de Santa Clara, 2014.

There is a precise blurring of limits in Tres Aguas. Space and time are loosened to create a new form of perception. In a time of continuous bombardment of information, Iglesias makes us take a walk. Walking and thinking are inseparable. Motion becomes intellection. The water recedes and we are absorbed by the wrinkled wet surfaces, again and again

Beatriz Colomina, 2015

The Slow Art of Acupuncture