Imprint and Reflections

Reflections, like echoes, can never be separated from their origin. In fact, reflections, like echoes, are the first record of the instant, the reproduction of a moment that they will always be the first memory of. Reflections are probably the first image we discover of out presence in the world and we would never be able to interpret them if we did not structure them in images

João Fernandes

The Machine of Entangling Landscapes

Cave Studies, 2022. Installation view at Musée de Grenoble, France.

Hondalea Studies, 2021. Installation view at San Telmo Museoa, Donostia-San Sebastián.

Beirut Souk Shadow II, 2011

Monotype III (5 Variations), 2011

Polyptych VII, Polyptych VIII, 2002. Installation view at Museo Nacional Centro de Arte Reina Sofía, Madrid.

Fuga a 6 voces, 2007, installation view at Fondazione Arnaldo Pomodoro, Milano

Fuga a 6 voces (Dyptych I), 2007

Fuga a 6 Voces (Dyptych II), 2007

Fuga a 6 Voces (Dyptych III), 2007

Fuga a 6 Voces (Dyptych IV), 2007

Fuga a 6 Voces (Dyptych V), 2007

Fuga a 6 Voces (Dyptych VI), 2007

Fuga a 6 Voces (Dyptych VII), 2007

Fuga a 6 Voces (Dyptych VIII), 2007

Fuga a 6 Voces (Dyptych IX), 2007

Fuga a 6 Voces (Dyptych X), 2007

Fuga a 6 Voces (Dyptych XI), 2007

Fuga a 6 Voces (Dyptych XII), 2007

Study IV (silver), 2016

Study II (Silver), 2015.

Untitled (Minneapolis), 2000

Untitled (Minneapolis), 2000

Untitled (Minneapolis), 2000

Untitled (Minneapolis), 2000

Untitled, E.S. (Estudios)