What is so remarkable about Cristina Iglesias’ interventions is that they do not appear to be interventions, as if the ultra-technological and geometrically abstract modernity of the buildings contains within it a deeper, damp, organic layer that Iglesias uncovers and reveals.

Beatriz Colomina, 2015

The Slow Art of Acupuncture

Threshold-Entrance, 2006-2007. 02:45

Museo Nacional del Prado, Madrid

Threshold-Entrance, 2006-2007

Museo Nacional del Prado, Madrid

Photo: Attilio Maranzano

Untitled (Laurel Leaves), 1993-1994

Moskenes, Lofoten Islands, Norway

Photo: Werner Zellien, Nordland County Council